|September 24th, 2014|
|contra, music, transcript, trombone, trumpet|
On The Danforth, key of A major. (without trombone)
- The main idea is "A F# D" repeated, with an occasional "C# B" to lead back to the "A". This mostly goes over the A part. (mp3)
- Another A part idea is to play "A C#, B A," an octave higher than the previous idea. (mp3)
- One B part idea is "C# C# D E," which could be followed by going back down as "D C# B A" (mp3) or back down as "F# E D C# B A" (mp3). This works especially well over slow chords, changing its interpretation each time.
- An A part idea is "C# D E, D C# D E A,," or instead of holding the final A you could follow it with an even higher "C# B A". (mp3)
- An very simple idea is just to play sustained notes. In this case, just A (the root) over a lot of droning and the B when we switch from Erogie in A major to the same tune in B major. (mp3)
- A simple A part idea is just "A C# D" repeated: (mp3).
- Sustained notes are again good. Here's a sustained "A" with first an "E" pickup and then a "C# B" pickup: (mp3).
- This idea is a reduced version of the melody. "E C# B, A," generally by itself but sometimes followed by "C#, D E": (mp3).
- A bit of synchopation where the tune rolls around. "C# B C# D,, C# D, C# D, D E": (mp3).