One thing I've been on the receiving end of a few times is bookers offering a tour. This is so great, and I wish more series would give it a try! It's generally much easier for organizers to offer than for bands to put it together: you often know your fellow organizers and can put together a single block of dates to offer. If the band says no, you can offer it to another.
Since then, however, I've had no issues, save one: clacky keys. Over time the keys were getting louder, especially the "A" below middle "C". Something had clearly worn out inside. It was an acoustic noise on an electronic instrument—playing live the audience couldn't hear the clacks over the amplified sound—but having odd percussion on "A" wasn't ideal. Still, I applied my normal approach of trying not to care, which saves me lots of time and money, and didn't let it bother me.
Lily has been increasingly fooling around with the piano, which I'm happy to see: this is also how I learned to play. She asked me about the clacks, and when I explained what I thought had gone wrong she asked if we could fix it. I said I was happy to try, and we got to work:
Many people I respect have started to think that AI risk is the most valuable place to focus EA efforts. For example, 80000 Hours ranks it first on their "list of global issues", taking into account "scale, neglectedness, and solvability". On the other hand, I have a lot of friends working in machine learning, and none of them think AI risk is worth working on now. This level of disagreement is very strange, and kind of worrying.
After playing for a dance weekend in South Carolina where casual conversation among non-tech people included earnest speculation over the likelihood that AI gets us all killed, I thought it might be a good time to look back at when this was really speculative.
Summary: I talked to the right people, heard some incredibly prescient ideas, and got the bottom line wrong.
In 2011 PreSonus released the 1818VSL, an 8-channel audio interface, with low-latency mixing software. I wrote:
All I really need is a box with some amplifying inputs that send tracks from the mic to the laptop and some outputs that let me send mixes back out again. Then any sort of complex eq, compression, or other effects can happen in software on the laptop. So I got one: it's a Presonus AudioBox VSL1818, with eight usable inputs and eight usable outputs.
At the time I did worry about how long I could expect it to be supported:
| Work | Secure Bio | |
| Band | Kingfisher | |
| Band | Free Raisins | |
| Band | Dandelion | |
| Board | Giving What We Can | |
| Spouse | Julia | |
| Child | Lily | |
| Child | Anna | |
| Child | Nora |