• Posts
  • RSS
  • ◂◂RSS
  • Contact

  • Getting Back On

    September 26th, 2014
    contra, music  [html]
    Playing for contra dances, at some point you'll find you're playing along and the music and the dancing aren't fitting together anymore. Maybe you skipped a B part, maybe the caller skipped part of the dance, maybe you gave unclear phrasing and confused people: this can happen for all sorts of reasons. What do you do?

    First off, keep playing. It's not great when the music is off from the dancing, but don't let your efforts to fix it distract you enough that you stop playing danceable music. Watch the dancers, see when they're starting things, and try to figure out how far off you are. When the dancers start new moves, does it fit the beginning of a phrase? If you don't remember what figure the dance started with try asking the caller where that is.

    A few beats: Differences of a beat or two tend to resolve themselves with the next swing. People swing until they hear the phrase ending. So if people are staying off from the music through multiple swings there's probably something wrong with the tune you've chosen or the way you're playing it. First try really emphasizing the phrasing, maybe with breaks and really hitting the first beat of each phrase, but if that doesn't work switch to a different tune.

    A multiple of 16 beats: You're probably playing a tune that's AABB, with both the A and B parts being 16 beats, so this is the case where the dance is on the A1 when you're on the B2. This is the most common mistake, and usually comes from skipping a repeat. Do a little math in your head to see whether it's closer to add another part or remove a part, and then add or remove B parts as needed. Simply shouting A1 right before the A1 is often enough.

    An awkward number of beats: Sometimes you're so off you can't even feel where the A1 is supposed to go. The worst is when you're off by four beats; that adjustment is very hard to think about. In this case just start droning, dropping all melody and phrasing and just leaving the beat. Watch the dancers. Once the old melody and timing is out of your head notice when the dances finish a move and start adding phrasing that reinforces what they're already doing. When you get to the beginning of the dance, bring the melody back in with the A1.

    When you notice you're off, think back and try to remember whether you had a "something isn't right" moment a little earlier. As a musician you're probably used to simply listening and adjusting when you notice your sense of the music off from the rest of the band's, but when you're playing for dancing you want to learn to notice. Yes, adjust to what everyone else is playing, but also look at the dancers and try to figure out if the adjustment was you coming back into place, or everyone else shifting to somewhere not quite right.

    Comment via: google plus, facebook

    Recent posts on blogs I like:

    What should we do about network-effect monopolies?

    Many large companies today are software monopolies that give their product away for free to get monopoly status, then do horrible things. Can we do anything about this?

    via benkuhn.net July 5, 2020

    More on the Deutschlandtakt

    The Deutschlandtakt plans are out now. They cover investment through 2040, but even beforehand, there’s a plan for something like a national integrated timetable by 2030, with trains connecting the major cities every 30 minutes rather than hourly. But the…

    via Pedestrian Observations July 1, 2020

    How do cars fare in crash tests they're not specifically optimized for?

    Any time you have a benchmark that gets taken seriously, some people will start gaming the benchmark. Some famous examples in computing are the CPU benchmark specfp and video game benchmarks. With specfp, Sun managed to increase its score on 179.art (a su…

    via Posts on Dan Luu June 30, 2020

    more     (via openring)


  • Posts
  • RSS
  • ◂◂RSS
  • Contact