I looked through the Northern Junket archives to see his perspective on live music, and I came across a few passages that show the wave of the contra dance revival sweeping across New England in the early 1970s.
In Vol 9 No 8 (1969), Page is writing about live music as something so rare that most haven't danced to it. An evening dance in Cambridge with live music is an exciting exception:
Playing it this way is uncomfortable, and ages ago I made something out of wood and an old 1/2 size shoulder rest I found lying around. Then I took it off, and it's been back to being uncomfortable. Today I made a new one:
It's a piece of 1/4" plywood for a full-size shoulder rest to grip, a piece of 3/4" plywood for getting the distance right and something for screws to bite, and then it attaches to the metal plate on the Stroh with screws around the perimeter.
Here's me playing Sandy Boys, with intonation that's very nearly right:
It doesn't sound great, but at least it's comfortable.
The big things here are making sure you have enough water and food for a while, along with critical medications and the standard "prepping" recommendations. But lately I've been thinking about what you might do for other risks, such as engineered pandemics, mirror bacteria, or fire suppression outages. And today, EMPs.
| Work | Secure Bio | |
| Band | Kingfisher | |
| Band | Free Raisins | |
| Band | Dandelion | |
| Board | Giving What We Can | |
| Spouse | Julia | |
| Child | Lily | |
| Child | Anna | |
| Child | Nora |